Dionysos Rising: The Birth of Cultural Revolution Out of the Spirit of Music

Dionysos Rising The Birth of Cultural Revolution Out of the Spirit of Music E Michael Jones Following up his best seller Degenerate Moderns Jones reveals how major figures connected with modern music projected their own immorality into the field of music which has been the

  • Title: Dionysos Rising: The Birth of Cultural Revolution Out of the Spirit of Music
  • Author: E. Michael Jones
  • ISBN: 9780898704846
  • Page: 238
  • Format: Paperback
  • Dionysos Rising: The Birth of Cultural Revolution Out of the Spirit of Music

    E Michael Jones Following up his best seller, Degenerate Moderns, Jones reveals how major figures connected with modern music projected their own immorality into the field of music which has been the main vehicle of cultural revolution in the West For the first time ever, a unified theory of music and cultural revolution links the work of figures like Wagner, Nietzsche,E Michael Jones Following up his best seller, Degenerate Moderns, Jones reveals how major figures connected with modern music projected their own immorality into the field of music which has been the main vehicle of cultural revolution in the West For the first time ever, a unified theory of music and cultural revolution links the work of figures like Wagner, Nietzsche, Sch nborg, Jagger and others to show the connection between the demise of classical music and the rise of rock n roll Beginning with Nietzsche s appropriation of Wagner s opera Tristan and Isolde, music became the instrument for cultural upheaval What began at the barricades of Dresden in 1849 found its culmination at Woodstock and Altamont and the other Dionysian festivals of 1969 Jones shows the connection between the death of classical music and the rise of the African sensibility which Nietzsche saw as the antidote to Wagner prostrating himself before the cross in Parsifal Nietzsche prophesied the end of the age of Christ Socrates and the return of the spirit of music to philosophy That return took place at the end of 1969 at an abandoned racetrack outside of San Francisco, and the world has never been the same And a man who has not music in him is apt to disintegrate states since music is equally suggestive of personal love or political concord G Wilson Knight, The Shakespearean Tempest

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      Published :2018-06-22T12:37:24+00:00

    One thought on “Dionysos Rising: The Birth of Cultural Revolution Out of the Spirit of Music

    1. Ross Leavitt

      Dionysos Rising is about the role Wagner, Nietzsche, Schoenberg, and the rock artists of the 20th Century had in moving music away from a healthy mix of reason and emotion and toward a self-destructive, irrational frenzy. This one was dense and often hard to follow. There were a lot of new (to me) ideas in it and it will need a second reading to really process them. A major theme was Western liberals' association of Western culture with Christian values, and of African culture with a free, uninh [...]

    2. Ian Hodge

      E. Michael Jones has a series of books analyzing contemporary culture and its roots. A key to this cultural analysis is the sexual revolution. Jones suggests that that revolution has come from various influence, and his various books trace those influences.In this book, he traces music from Richard Wagner through to modern times, showing how music itself reflects a growing atheism and an abandonment of order. Abolish creation and replace it with any kind of evolution by chance is to impose an ul [...]

    3. Matt Carpenter

      This book speaks to a subject that I had no idea about: how music was used to usher in the cultural revolution of the 1960's. It is well researched and easy to understand. Some background knowledge of modern European history would be helpful but it isn't required. If you ever wondered how music is used to shape a culture (for good or for evil), read this book.

    4. John

      Ultimately his methodology is selective, his historical connections are tenuous, and he refuses to acknowledge that the forces which lead to Wagner's leftism, which was Beethoven's transgressive social ideology and compositional philosophy. It's a start at picturing how Plato could think that the musical modes change the foundations of political society, but why does he give a soft ball to "good boy" Classical music? Wagner's an easy target for a post-WWII reader.

    5. J KevinWhear

      Insightful, scholarly and sometimes you will find yourself in deep waters, frightening connections drawn between Wagner, Nietzsche, Hitler, Charles Manson and Mick Jagger. The premise of the book is clear that music has served as the vehicle of revolution for the pass 150 years. We must stop and ask ourselves, where is this revolution going and who are its next victims.

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