L'Amour Fou: Photography and Surrealism

L Amour Fou Photography and Surrealism Much has been written about Surrealist painting and sculpture but most of the erotic disorienting and exquisite Surrealist photographs of Man Ray Marcel Duchamp Max Ernst Andre Breton Brassai S

  • Title: L'Amour Fou: Photography and Surrealism
  • Author: Rosalind E. Krauss Dawn Ades Jane Livingston
  • ISBN: 9780896595767
  • Page: 299
  • Format: Hardcover
  • L'Amour Fou: Photography and Surrealism

    Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz and Hans Bellmer have remained all but unknown until now Traditional criticism has viewed Surrealist photography as a pale imitiation of authentMuch has been written about Surrealist painting and sculpture, but most of the erotic, disorienting and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz and Hans Bellmer have remained all but unknown until now Traditional criticism has viewed Surrealist photography as a pale imitiation of authentic Surrealist work The assumption has been that photography, a realistic medium, is fundamentally incomptatible with a cause devoted to the wildly subjective, the world of dreams and the unconscious As a consequence, Surrealist photography, a major body of 20 century art, has remained largely unexplored.

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      299 Rosalind E. Krauss Dawn Ades Jane Livingston
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      Posted by:Rosalind E. Krauss Dawn Ades Jane Livingston
      Published :2018-01-24T05:47:03+00:00

    One thought on “L'Amour Fou: Photography and Surrealism

    1. Beth

      I read lots and lots of Krauss on the way to writing my thesis. This one is pretty twisted. Women as photographic objects/subjects. The photograph as sexual dominance/possession of the female form. Objective reality/surrealist vision. Good times.

    2. Meredith

      Yeah, the cover looks sexy. Rosalind Krauss does not write sexy. Don't be fooled. It's an interesting dissertation on the relationship of photography to surrealism (you don't say, right?). She's a genius.

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